Download Alien Phenomenology, or What It's Like to Be a Thing by Ian Bogost PDF

By Ian Bogost

Humanity has sat on the heart of philosophical pondering for too lengthy. the hot introduction of environmental philosophy and posthuman reports has widened our scope of inquiry to incorporate ecosystems, animals, and synthetic intelligence. but nearly all of the stuff in our universe, or even in our lives, is still past critical philosophical concern.

In Alien Phenomenology, or What It’s prefer to Be something, Ian Bogost develops an object-oriented ontology that places issues on the heart of being—a philosophy within which not anything exists to any extent further or lower than anything, during which people are parts yet no longer the only or perhaps basic parts of philosophical curiosity. and in contrast to experimental phenomenology or the philosophy of expertise, Bogost’s alien phenomenology takes without any consideration that each one beings engage with and understand each other. This adventure, although, withdraws from human comprehension and turns into obtainable purely via a speculative philosophy in response to metaphor.

Providing a brand new method for knowing the event of items as issues, Bogost additionally calls on philosophers to reconsider their craft. Drawing on his personal history as a videogame dressmaker, Bogost encourages specialist thinkers to turn into makers in addition, engineers who build issues up to they believe and write approximately them.

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Extra info for Alien Phenomenology, or What It's Like to Be a Thing (Posthumanities)

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The significance of one thing to another differs depending on the perspectives of both. Since units remain fundamentally in the dark about one another’s infinite centers, the unit operations that become relevant to them differ. A unit’s means of making sense of another is not universal and cannot be explained away through natural law, scientific truth, or even its own perspective. The unit operation entails deductions in the light of impossible verification—units never take one another as they are but only as a kind of burlesque.

Being expands. 60 Badiou adopts Georg Cantor’s concept of the set, a way to describe a totality by enumerating its members, like this: {a,b,c}. A subset of any set, {a,b} or {b,c}, contains some smaller number of the set’s total members. Cantor built a theory of transfinity by representing infinity as sets: an infinite set is one that corresponds to the set of all natural numbers. But the set of all possible subsets of an infinite set seems to be a “larger” infinity. Badiou builds his ontology around Cantor’s insight about transfinite numbers.

The Girl from Ipanema” is probably the best-known example, with its tiny catalog of properties—“tall and tan and young and lovely”—but Tom Jobim’s “Águas de Março” (“Waters of March”) is the ultimate ontographic bossa nova collage. Each line begins with “É” (“It’s” in the English version, which Jobim also wrote) and names one or two objects. A wide variety of things are mentioned in the song, from natural objects (stick, stone, oak, fish) to human-made ones (spear, truck, bricks, gun) to concepts (must, bet, loss, nothing).

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